Daniel Cockburn’s exuberantly cerebral, filmically deconstructionist work defies easy categorization, and this program of new work is no exception, from a short that interrogates “things that mean other things before becoming a thing that means other things in itself,” and a performance piece that juxtaposes two postmodern 1994 horror films, John Carpenter’s In the Mouth of Madness and Wes Craven’s New Nightmare to explore both the redemptive and destructive powers of storytelling.
11th October 2015
10 years ago
1 hour
Finishes at 10:43pm
Looking for Richard
Beastie Boys Story
Twenty One Pilots: Livestream Experience
Being James Bond
Everybody’s Everything
John Candy: I Like Me
Dalíland
Blue
Stop Making Sense
Maria by Callas
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